蓝泡加速器永久激活真的假的-快连加速器app
美国ssr节点
As of May 1, 2016 this site is no longer actively updated. However, we have decided to keep this static version of the site available for anyone interested in accessing our extensive (though by no means complete) bibliography of books and articles published in the field of Media and Environment between 2009 and 2015 as well as our repository of syllabi and other pedagogical goodies. As of today, the blogroll is also active and links out to a number of wonderful sites by scholars, artists, and others interested in our field.
海外交流 | ZAPRO · 杂铺:2021-6-3 · 警告: 所有节点禁止BT、垃圾邮件!伕理模式请设为 PAC模式。 请不要使用节点登陆政治敏感网站及发表政治言论,谢谢合作! SSR使用教程: 一起来喝酸酸乳:https://t...
Although this current site is no longer active, our field as a whole is incredibly vibrant right now. To stay in touch, check out the Ecomedia Facebook page, which is maintained by folks active in the Ecomedia Interest Group through ASLE (The Association for the Study of Literature and Environment). You may also be interested in the Media and Environment Interest Group active through SCMS (The Society for Cinema and Media Studies) and the IECA (the International Environmental Communication Association) and other organizations.
蓝泡加速器永久激活真的假的-快连加速器app
After due consideration about the future of the field of Ecomedia Studies, Salma Monani and I (who co-founded this website in 2009), have decided that it is time to close down EcomediaStudies.org and to focus our attention on other ways of promoting the study of Media and Environment. The site will remain up through the end of April so that we have time to archive the extensive bibliography, syllabi, and key posts that folks have shared with us over the years.
For those of you who have allowed us to share your work on this site and/or followed the site over the years we offer our sincere and heartfelt thanks. There is no denying that together we have fulfilled our original mission statement of facilitating interdisciplinary and innovative approaches to the study of non-print media as it applies to environmental discourse and action.
福利:公益机场 – Sly Jet:2021-6-11 · 大陆无法访问,新用户注册送10GB流量,每天签到送1GB-5GB流量,目前免费SSR节点台湾、日本、俄罗斯合计有46个,免费账号有效期100天。 付费用户9元套餐100G流量,香港、台湾、美国、俄罗斯节点,解锁V2ray订阅,解锁Netflix等流媒体,目前电报群有8000人,算是比较大的机场了。
Salma and I will continue to work within the Association for the Study of Literature and Environment with our many wonderful colleagues in the Ecomedia interest group, within the Society for Cinema and Media Studies with our many wonderful colleagues in the Media and Environment interest group, and with the other organizations and institutions doing work in this field.
We hope that you will continue to be an active participant on the Ecomedia Facebook page. You are also welcome to contact me personally at srust@uoregon.edu should you wish to stay in touch about your own work or become involved with the ASLE Ecomedia Scholarly Interest Group.
As they say in the movies, so long and thanks for all the fish.
蓝泡加速器永久激活真的假的-快连加速器app
FYI: Looks like a terrific opportunity for ecocinema scholars to make an impact on the conversation in film studies.
Call for Contributors
Urban Netherworlds: Noir and Neo-Noir New York and Los Angeles in Film (under contract)
SSR加速器是全部免费的吗?谢谢!_百度知道:2021-4-22 · 不是 的,ssr是付费软件 2113。 能够有效提高游戏 5261 响应速度 4102 和游戏的稳定性,裸连 情况 下游戏数据传输途 1653 径经 过多条线路转换问题频发,还有QoS技术游戏精准加速,避度免游戏卡顿掉线。 具有分布全球各地的知游戏加速节点,连接 ...
The symbiotic screen relationship between New York and Los Angeles in noir and neo-noir is reflected in the work of actors such as Robert De Niro, Roy Scheider, Al Pacino, and directors such as William Friedkin, Sidney Lumet, Martin Scorsese, John Cassavettes, and Roman Polanski. Kathryn Bigelow puts Jamie Lee Curtis at risk in New York (Blue Steel) and then does the same thing to Angela Bassett in Los Angeles (Strange Days). In Brian De Palma’s Body Double Melanie Griffith is menaced by a Hollywood killer with a penchant for disguises and power tools; in Jane Campion’s In the Cut Meg Ryan is stalked by a murderer who may be a member of the NYPD.
This book will bring together a limited number of essays on the ways in which New York and Los Angeles have been represented, over the last half-century or more, in noir film. What joins these essays is a thematic orientation toward darkness, in atmospheric and architectonic terms, in social and psychological terms, and in terms of experiencing urban life amidst disruptive change, economic dislocation, and real or perceived existential threat.
We are looking for essays of 7,500-9,000 words that fall into the following categories:
● Close readings or re-readings of individual films
● Comparative discussions of two or more films, related by plot, characterization, location, and cinematography
● Discussions of thematic commonalities within several films set in Los Angeles, set in New York, or set in both
● Adaptations from literary sources—novels, plays, memoirs
● Studies of NY- and LA-based films made by non-US directors, e.g., Sergio Leone’s 美国ssr, Wim Wenders’s The End of Violence and The Million Dollar Hotel
The editors are especially interested in innovative and unusual approaches to films that have become canonical in the scholarship on film noir and, although it is still an emerging field, on neo-noir. Redefinition of noir and neo-noir New York and Los Angeles, grounded in new critical and theoretical initiatives in the study of these genres, will be given full consideration.
Please send a 500-word abstract and a 100-word bio to both co-editors: James J. Ward (jjward@cedarcrest.edu) and Cynthia J. Miller (cynthia_miller@emerson.edu).
Publication timetable:
美国免费服务器_adc_god的博客-CSDN博客:2021-10-15 · 美国服务器 现在的国际出口带宽,国内的电信出口还是比较大的,所众很多做网站和做外贸的都是会会首先选择电信带宽。远程国外的主机丢包率小。操作国外的机器,因为距离的原因,所众信息走海底光缆不可避免的会丢失一些,导致在国内远程会出现卡顿的现象,还有就是延迟会大一些。
June 1, 2016 – Notification of Acceptances
October 31, 2016 – Chapter Drafts Due
March 1, 2017 – Chapter Revisions Due
May 15, 2017 – Delivery to Publisher
Acceptance will be contingent upon a contributor’s ability to meet these deadlines and to deliver professional-calibre work. Contributors who do not submit their initial drafts by the deadline will be dropped, unless a prior agreement with the editors has been reached.
蓝泡加速器永久激活真的假的-快连加速器app
If you’re headed to the Society for Cinema and Media Studies Conference this week in Atlanta, be sure to check out all of the amazing panels being sponsored by the Media and Environment Special Interest Group, including panels as early as Wednesday at noon (B-22).
Here is what’s in store:
B22: Ecomedia: From Classroom to Community
D15: Hydrological Media
H17: Ecologies of Scale
K19: Ecosensuality in PostCinema
M19: Media, Ecology, and New Materialism
P17: Bioregional Cinema: Environment, Culture, Image
Q8: Cinema and the Planetary
U18: Media and Ecological Crisis
蓝泡加速器永久激活真的假的-快连加速器app
Always great to hear about a new publication that folks in our field should know about. This one’s been out for a while but I’m just hearing about it now – as these things go. Click the title to link to the book’s homepage at the University of Chicago Press website.
蓝泡加速器永久激活真的假的-快连加速器app
蓝泡加速器永久激活真的假的-快连加速器app
FINAL CALL AND NEW EXTENDED SUBMISSION DEADLINE: SUNDAY, 10 April 2016
“Wildness without Wilderness”: The Poiesis of Energy and Instability
The European Association for the Study of Literature, Culture and Environment (EASLCE): 7th Biennial Conference (Brussels, Belgium— from 27 to 30 October 2016)
Hosted by the Université Libre de Bruxelles (ULB) and its Department of Languages and Literatures, in association with the Benelux Association for the Study of Art, Culture and the Environment (BASCE)
As Gary Snyder reminds us in “The Etiquette of Freedom” (1990), wilderness—i.e. the expanse of the physical natural world untamed by humans—may have considerably shrunk; by contrast, however, wildness—i.e. the instability of the material world and of its agencies that elude human regulation and control—very much remains a constant in the existence of beings enmeshed with their environments.
Contributing to this ineradicable and enduring wildness and instability, other constants such as energy and creativity inform both the non-human and human worlds of impermanence and indeterminacy (Serpil Opperman & Serenella Iovino, Hubert Zapf, Sidney Dobrin). Indeed, not only do energy flows and their disruptions remain inseparable from life and living organisms; moreover, energy also proves inseparable from poiesis, understood as a potential for making that combines randomness and design. With the relational activity leading to transformation that underlies the spontaneous self-organization and patterning of many systems (Fritjof Capra, Herbert Maturana & Francisco Varela), poetic travail is in fact what links the wild artistry and skillful means of nature to those of human production (Jonathan Skinner; Harriet Tarlo). What the various narratives respectively explored by particle physics, material ecocriticism, the energy humanities, experimental ecopoetics, or ecospiritualities tell us is that the universe is teeming with (eco)compositional forces and responses, with experiential space opening itself up to forms of joint making and unmaking, with temporary montage and collage artistry blending chance and intention through physical and/or mental assemblage, dissipation, and re-arrangement.
The 7th Biennial Meeting of EASLCE, in association with BASCE, will be held in the fluctuating, multilingual urban space of Brussels, a city that has proved home as much to the “ordered wildness” of physics uncovered by Nobel Prize-winning scientists like Ilya Prigogine and François Englert as to the one of the mindscapes reveled in by the Symbolist and Surrealist avant-gardes.
Therefore, from all environmental fields of inquiry and endeavour, from the humanities and natural sciences to the creative arts and public policy/activist spheres, the Organizing Committee invites papers probing into the poiesis of non-human and human systems, and into their interrelated narratives of energy, wildness and travail. Spanning the spectrum from natural to textual energies, possible perspectives may include—but are not necessarily limited to—some of the following approaches:
-The impact of concepts such as energy and poiesis, instability and creativity on current ecocritical thinking/theorizing, on ecoliteracy, ecolinguistics, eco-narratology, ecosophy, and eco-ethics.
-Patterns of assemblage, proliferation and travail in both non-human and human texts, procedures and organisms; systemic readings of energetic patterns of dissipation and collapse.
-Representations of chaos, wildness, autopoiesis, and complexity in literature, film, the arts, linguistics, philosophy, science, and digital environments.
-Ecopoetics and the poiesis of energy and instability: entropy and “ordered wildness” in textual environments and texts-as-environments; elusive energies, assemblage and fragmentation in recombinant and procedural eco-aesthetics; humans as ecocompositional and eco-aesthetic animals.
-Energetic travails under and above ground: the poiesis of fuel and fuel extraction; the chaos, wildness and complexity informing petrocultures; cultural and literary responses to the environmental practices and addictions of “Homo Energeticus.”
-“Wildness without wilderness” in cities: urban collapse, mutation and apocalypse vs. urban renaturing, sustainability and ecological resilience; cities as “living eco-labs,” urban entanglements in the web of the bioeconomy; urban eco-design; the city as ecological palimpsest and travail.
-Transmutations of energies in the interlocking of mental and physical ecologies; ecospiritual and ecopsychological readings of the poiesis of matter and consciousness in interaction.
– Energy exchange and instability in the travail between physical and social ecologies; the dynamics of channeling and dissipating psychic and social energy around ecological crises; the travail of mapping out the (geo)politics of energy.
-Energetic labour and travail: the poiesis of the elements and natural forces (water, the weather, tectonics, etc.); the formation of “counter-imaginaries” to energetic mischanneling and depletion; the 美国免费节点ssrof decomposition, recycling and composting.
– Embodied “wildness without wilderness”: randomness, design and energy exchange in animals and plants; shifting energies and relationalities between human and non-human bodies/forms of “creatureliness”; the 免费的ssrr SSR节点of the feral; zoopoetics.
-Randomness and design in nature as sources of ecophobia and ecophilia; the gaps between the artistry of nature and human creativity as fuel for ecophobic and ecophilic narratives and texts.
-The poiesis of energy and instability at work in human and non-human environments as fuel for “Une écopoétique francophone?”, “Eine deutschsprachige Ökopoetik?”, etc.?
The primary conference languages will be English, French, German, and 美国ss免费节点.
We welcome both scholarly and creative proposals. The submission formats are either for individual scholarly papers of 20 mins/individual creative contributions/performances of 20 minutes, or for pre-made panels of 3 twenty-minute scholarly papers/creative contributions.
The format for submissions is as follows:
最新免费VPN | 亲测看4K 8K视频毫无压力 | 韩国 俄罗斯 日本 ...:今天给大家推荐的最新免费VPN,尤其是后面推荐的VPN全部免费,vpn速度快的惊人,本来我没有对免费的VPN抱过多的期望,无心测速了下8K的视频,在免费的韩国节点看8k毫无压力! 第一款推荐的VPN每月赠送32G的流量,在我所推荐的免费VPN里这是赠送流量最高的免费VPN。
-preformed panels: 500 word abstract for the panel comprising general topic and format outline + participants’ biosketches and full contact details + IT requirements, supplemented by individual 300 word abstracts for each contribution on the panel.
美国免费服务器_adc_god的博客-CSDN博客:2021-10-15 · 美国服务器 现在的国际出口带宽,国内的电信出口还是比较大的,所众很多做网站和做外贸的都是会会首先选择电信带宽。远程国外的主机丢包率小。操作国外的机器,因为距离的原因,所众信息走海底光缆不可避免的会丢失一些,导致在国内远程会出现卡顿的现象,还有就是延迟会大一些。Dr. Franca Bellarsi <fbellars@ulb.ac.be> by SUNDAY, 10 April 2016
免费的ssrr SSR节点NEW EXTENDED SUBMISSION DEADLINE: SUNDAY, 10 April 2016
All submissions will be internationally peer-reviewed BY EASLCE AND BASCE
蓝泡加速器永久激活真的假的-快连加速器app
reposted from: http://www.teachingmedia.org/call-for-proposals/
Teaching Media Quarterly Vol. 4, No. 2
【优质机场评测推荐】SS机场排名|高速稳定SSR机场推荐 ...:2021-2-24 · 拥有香港、美国、日本、德国、俄罗斯等地区节点,其中德国和俄罗斯节点均是套餐有效期内赠送的免费节点,适用于文件下载等,非常贴心;为套餐期限内用户免费提供SS节点,可众满足部分对SS节点有临时需求的用户,很贴心;
Submission deadline: Earth Day, April 22, 2016
Teaching Media Quarterly seeks lesson plans that ask students to critically engage with the complex relationship between media and the environment. We ask for submissions that explicate the role of media discourses and media technologies in light of growing concerns about an array of environmental issues including, but not limited to, climate change, drought, food justice, resource extraction, and migration. We encourage pedagogical perspectives informed by research and activism that examine the natural sciences, journalism, materiality, popular culture, and cultural studies within the context of environmental thought.
We invite submitters to consider the following potential topics as inspiration:
- Media technology and their material consequences
- DuangCloud账户注册、套餐购买和V2Ray客户端配置使用 ...:2021-3-14 · 跳转到“填写账户注册信息和选择结帐支付方式”页面,按照提示依次输入账户注册信息,其中邮箱地址必须正确无误,否则会收不到验证码,国家一般默认“China”即可,一定要与你登录DuangCloud官网时的IP地址区域保持一致,否则有可能会被判定为欺诈购买,导致账户注册审核失败。
- Representations of nature and/or environmentalism in popular culture
- Green and environmentalist media
- Greenwashing and corporate communications
- Advocacy campaigns produced by students and/or social movements
Teaching Media Quarterly Submission Guidelines
All submissions must include: 1) a title, 2) an overview (word limit: 500 words) 3) comprehensive rationale (using accessible language explain the purpose of the assignment(s), define key terms, and situate in relevant literature) (word limit: 500), 4) a general timeline, 5) a detailed lesson plan and assignment instructions, 6) teaching materials (handouts, rubrics, discussion prompts, viewing guides, etc.), 7) a full bibliography of readings, links, and/or media examples, and 8) a short biography (100-150 words).
Please email all submissions using the TMQ.Submission.Template (2) (.docx) in ONE Microsoft Word document to teachingmedia.contact@gmail.com.
Review Policy
Submissions will be reviewed by each member of the editorial board. Editors will make acceptance decisions based on their vision for the issue and an assessment of contributions. It is the goal of Teaching Media Quarterly to notify submitters of the editors’ decisions within two weeks of submission receipt.Teaching Media Quarterly is dedicated to circulating practical and timely approaches to media concepts and topics from a variety of disciplinary and methodological perspectives. Our goal is to promote collaborative exchange of undergraduate teaching resources between media educators at higher education institutions. As we hope for continuing discussions and exchange as well as contributions to Teaching Media Quarterly we encourage you to visit our website at http://www.teachingmedia.org/
SSR/L2TP,提供美国、香港、日本、加拿大、英国、新加坡 ...:2021-2-12 · 首页 » SSR/L2TP 我伔提供提美国、加拿大、英国、香港、日本、韩国、新加坡、法国、德国、意大利等多个国家IP。 价格 85元/月 (香港为130元), 包括一台VPS服务器的完全使用权,100M带宽,一个独享固定的IP地址。
CALL FOR PAPERS
“Contextualizing Asian Ecocinema: Past and Future”
27 and 28 May 2016 (Friday and Saturday), The University of Hong Kong
Organized by the Department of Comparative Literature and the Centre for the Study of
Globalization and Cultures (CSGC), The University of Hong Kong.
With growing awareness of global environmental issues and increasing interests in the
study of Asian films in relation to ecocritical theories, this 2-day conference seeks to
assemble international scholars and expand the field of ecology and film towards a
broader coverage in its Asian context.
From cinematic depictions of Asian environmental crises, films revealing environmental
impacts brought about by transnational networking and exchange, to artistic
representations of human, nature, wilderness and ecology, ecological issues in Asia have
been exposed to the outside world through fictional films, documentaries and various
forms of media.
With a view to add to the innovative and groundbreaking efforts made by debates on
ecocinema in the western context, this conference on Asian Ecocinema aims to provide a
forum for scholars of film and media studies to exchange new research in three major
areas:
– New ecocritical approaches in Asian cinema
– Contemporary ecological issues in greater China and Asian context
– Eco-film language and conventions, genres, and philosophical implications in Asian Cinema
We invite proposals of 250-300 words for consideration. Please also include a brief
biography of no more than 100 words and a short working bibliography with your
proposal. Selected presentation papers will be invited for a forthcoming publication
project on Asian Ecocinema studies. The deadline for proposals is March 10, 2016.
Successful presenters will be notified of their acceptance by March 18, 2016. We regret
that we cannot provide any funding for transportation or accommodation.
Please send proposals to BOTH Winnie Yee (yeelmw@hku.hk) and Kiu-wai Chu
(kwchu29@connect.hku.hk) by March 10, 2016.